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IN PRINT
"John & Xenia" (North American Review, forthcoming)
"MasterBlaster" (Alligator Juniper, forthcoming)
"From Now On, You're Back" (North American Review, May-August 2006)
"Mrs. Boylan, Widowed" (The Mississippi Review, Summer 2006
“Anything He Wants” (The
Gettysburg Review, Spring 2003)
“Artistic Endeavor” (Other
Voices, Fall/Winter 2003)
“A Memorial for
Hammerhead” (Dogwood, Spring 2003)
“Dogs” (Night Train,
Fall 2002)
“The Hunt” (The Florida
Review, Spring 2002)
“Real Grief” (Alkali
Flats, Fall 2000)
“Homecoming” (Gulf
Stream Magazine, September 1999)
“Love, M.” (Brown Dog
Review, September 1998)
“After Art” (The
Mississippi Review: Best of the Web, Summer 1998)
“The Fine Art of Fletcherism” (Crescent
Review, Spring 1997)
“Leaving” (The Beloit Fiction
Journal, Spring 1994)
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ON-LINE
“The Suzerain” (Poetry Midwest)
"Falling" (Pif Magazine)
"The Author outlines a letter of apology to his twin,
eaten in the womb" (Pif Magazine)
"The Need for Character" (Pif
Magazine) (later reprinted in their Best
of the year issue)
"Mercy"
(Pif Magazine)
"After Art" (The Mississippi
Review) (later reprinted in their Best of the Web print issue)
"Soup" (The Mississippi Review)
"Steinberg & Whitman" (The
Mississippi Review)
"The Smart Bomb" (InterText)
“While Humping Savagely the Groundskeeper’s Barely
Teenage Daughter, the Quartermaster Pauses Mid-Stroke as the Premiere of an Air
by Henry Purcell Drifts from his Lord’s Dining Hall” (Melic
Review)
"Q & A" (Eclectica)
"The Woman and the Dog" (Morpo
Review)
"Paradigms" (The Mississippi Review)
"Writing
the Blue Book" (Pif Magazine)
"Poor
Tree" (Pif Magazine)
"Technical Notes to a Lost Work" (La
Petite Zine)
"Apples" (Sparks)
"No More, No More (In Iambic Pentameter)"
(Story Bytes)
"The Cat Strangler" (Story Bytes)
"Tell Everything" (Story Bytes)
"Padre" (Story Bytes)
“Democritus’s Atom” (Pif Magazine)
(later reprinted in The Best of Pif Magazine: Off-Line)
“Together, the Choir Grows Old” (Melic
Review)
“The Taffy Pull” (jerseyworks)
“Buying It” (Southern Ocean Review)
“Curbside Mailboxes” (The Barcelona Review) (also available in a Spanish translation)
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